Results tagged ‘ Cory Wilson ’

Bernie Brewer: Behind the Moustache Submitted to DearMKE Project

This summer, VISIT Milwaukee, the city’s award-winning convention and visitors’ bureau, teamed up with film producer Jack Turner to produce “DearMKE,” a project they are describing as a “love letter to the city.”


“DearMKE started as a way for all of us to show others what we love about our city. It is growing into a film, twelve documentaries made by local filmmakers, and a citywide contest that lets all of us tell our story like only we can,” says the project’s website. “We all know what makes Milwaukee such a great place. Isn’t it time everyone else did too?”

Jack, who resided in Whitefish Bay as a teenager and boasts an impressive resume, is capturing the best of Milwaukee on film along with other local Milwaukee filmmakers,  but they are also asking for the help of local businesses and residents:

“Every neighborhood in Milwaukee holds memories and promises. Surprises and longtime connections. Revolutionary ideas and reflections. Amazing people and places. Every city block, every corner bar, every park, every school, every brick in every church steeple holds a story. Which one will you share about our DearMKE?”

The project calls for submissions via a video, photo, or written work.

To participate in this project, we compiled a history on the team’s number one fan, our lovable, mustachioed mascot. It’s called: Bernie Brewer: Behind the Moustache. Think you know the whole story about Bernie Brewer? Think again!


A special thanks to Cory Wilson, Matt Morell and Deron Anderson for their help putting this together and Bernie,  Bonnie, Bango, Robb Edwards, John Axford, Gorman Thomas and Mario Ziino for their time!

The trailer to this video resides on the project’s website, DearMKE.com, where you can also submit your own ideas, which could appear in Jack’s film, or be featured in one of twelve short documentaries.

Jack’s film will premier at the Milwaukee Film Festival later this month (more on that, including John Axford’s involvement, to come!) and each of the documentaries will premier once a month on the project’s website. You could also win a prize package featuring tickets and gift certificates from various Milwaukee attractions. Hurry, the deadline is October 12.

-Cait
JohnandCait@Brewers.com

There is No Offseason for…Deron Anderson, Director of A/V Production

The readers have spoken!

Far and away the biggest request that came through was from readers wanting to hear about the new scoreboard: the installation, graphics, making the display ‘pop’, etc. 

Well, there is a group of people working together on this effort and that group includes Rick Schlesinger, EVP-Business Operations, Teddy Werner, Sr. Director-Business Operations, Aleta Mercer, Vice President-Entertainment & Broadcasting, Cory Wilson, Coordinator-A/V Production, Kathy Schwab, Sr. Director of Marketing, Jeff Harding, Sr. Graphic Designer, and me.

There is also one more person in that group–a very important person as he is the guy who will be responsible for operating that new scoreboard.

Although you may not know him by name, Deron Anderson, our Director of A/V Production, has a hand in many other areas that directly impact your in-game experience, from highlight reels and music clips to the stats that are displayed and the replays that are shown.

Behind Video Board.JPG


P1010250.JPG

Top: Deron Anderson, behind Miller Park’s old video board.

Bottom: Construction begins on the new scoreboard. The whole thing will be a video board!

As you can see from these photos, things are well underway with the installation of the new scoreboard, so I tracked Deron down to find out how this offseason compares to the others he’s weathered.

Deron was hired for Miller Park and thus began his career with the Brewers in January 2001. That means that Deron, like Miller Park, is coming up on his 10th Anniversary in 2011.

In addition to being a Brewers fan, Deron is highly involved in sports overall.

In his spare time, the father of three (Michael, 11, Natalie, 8, and Scott, 4) coaches Michael’s park and recreation basketball team, is the assistant coach for Michael’s Little League team and is also the assistant coach for Natalie’s soccer team.  All of the running around to different practices keeps Deron and his wife, Lynnette, quite busy, but Deron also manages to play on a men’s 35 and over baseball team as well, when time allows.

Deron is also involved in the community. When I caught up with him, he had just returned from Audubon Middle School, where the students were participating in the Connect a Million Minds event, a town hall-type internet meeting hosted by Al Gore. Afterward, in conjunction with the meeting and the school’s STEM (Science, Technology, Engineering and Math) Program , Deron was part of a panel, speaking to the kids about the technology he uses in his career.

As Director of A/V Production, Deron’s primary focus is game production, and in that role, he certainly works with lots of different applications of technology.

The cameras Deron is referring to are separate from the television cameras. There are three static cameras on tripods, located in center field, high home and first base, along with one roving, wireless camera.  In 2011, there will be a fourth static camera added, located at high third.

“The biggest questions I get are about replays and the music that is played,” Deron told me.

Deron and his staff must comply with Major League Baseball rules on a lot of what they do, following a set of scoreboard and audio system regulations known as “Bulletin D-12.” Among other things, Bulletin D-12 dictates which replays can and cannot be shown inside the ballpark.

Deron recalled an instance where this rule put him in a bind. Back in 2004, when Ben Sheets had his 18-strikeout game against the Atlanta Braves, Deron had an important call to make.

Deron noted that television does not have any restrictions on what they can show, so if you’re at a game and you’re wishing a play would be shown again on the scoreboard, if you’re near a television or in the concourse, you can always look up and see if you can catch it again.

“I like my music, but I know most people don’t,” Deron joked. “We look at what songs the local radio stations are playing, what the top songs are on iTunes and sometimes the players request songs. Most players request their own at bat music.”

“At one time, he had truck sound effects. Another time he had an air raid siren. I give him credit, some of the things he comes up with are really cool,” Deron said.

Although many of Deron’s main and most highly visible responsibilities are during the season, like the rest of us, Deron has a busy offseason ahead of him, with this one probably being the busiest of all.

Here is an example of a video that Deron put together for the end of the 2010 season.

They assist the marketing department in radio production, create highlight videos for sales staff, take care of any gameday staff hiring and scheduling and work on our two big offseason events: Brewers On Deck and Arctic Tailgate.

This offseason, however, with the installation of the new scoreboard, things are a little different.

The new scoreboard, designed by Daktronics, Inc., will be massive. The new video board features a single screen, pure 1080p high-definition display, and will be the fourth-largest scoreboard in Major League Baseball at 5,940 square feet (110 ft wide x 54 ft. high). The only larger boards in Major League Baseball are at Kansas City’s Kauffman Stadium (8,900 square feet), Houston’s Minute Maid Park (planned for 7,000 square feet), and Phoenix’s Chase Field (6,200 square feet). The new video board will replace the existing 1,296 square foot video board (48 ft. wide x 27 ft. high) and the 2,432 square foot matrix board. In terms of pixels, it is 2184 wide x 1080 high.

Deron and Cory will have to learn how to use the new board, as well as what will work on the larger display and what won’t. They’ve interviewed numerous animation companies and are getting set to create the new look for the board.

“There will be a lot more 3D animation,” Deron said.

“No, that just means that from a look perspective, the images will not just be flat. They will have more depth to them.  So, no, you won’t have to wear the glasses.  That’s stereoscopic imaging, with the glasses,” Deron clarified.

 

Follow

Get every new post delivered to your Inbox.

Join 375 other followers